合适的相机店😸
'With its intricate design of interlaced gold, reminiscent of Cuban Links, along with the vintage typography, it’s no wonder these are a hit with collectors.'
Ethan recently took the Rolleicord 'Art Deco' with him whilst visiting some family in the south of Spain. In his article, he tells us about his experience taking it to Gibraltar, Maro and his overall grasp of the camera.
'The ‘click, click, click’ of shooting digital meant I couldn’t slow down and focus. When I discovered film, I enjoyed the process of stepping back and slowing down.'
Continuing our series of staff interviews is none other than our resident scouser, Steve. In this interview, Steve explains to us how he got into film photography, his developing process and how you can still take great photos on a battered old Rolleicord.
'I’ve been constantly taking photos of everyone and everything for as long as I could afford a camera to build up a large record of life around me.'
Next up in our series of interviews is alternative format aficionado, Adam. In this interview, Adam tells us how he got into complicated chemical processes, building his own cameras and his fondness for odd point-and-shoots.
'With its intricate design of interlaced gold, reminiscent of Cuban Links, along with the vintage typography, it’s no wonder these are a hit with collectors.'
Ethan recently took the Rolleicord 'Art Deco' with him whilst visiting some family in the south of Spain. In his article, he tells us about his experience taking it to Gibraltar, Maro and his overall grasp of the camera.
'The ‘click, click, click’ of shooting digital meant I couldn’t slow down and focus. When I discovered film, I enjoyed the process of stepping back and slowing down.'
Continuing our series of staff interviews is none other than our resident scouser, Steve. In this interview, Steve explains to us how he got into film photography, his developing process and how you can still take great photos on a battered old Rolleicord.
'I’ve been constantly taking photos of everyone and everything for as long as I could afford a camera to build up a large record of life around me.'
Next up in our series of interviews is alternative format aficionado, Adam. In this interview, Adam tells us how he got into complicated chemical processes, building his own cameras and his fondness for odd point-and-shoots.
在这个所谓的“数字时代”，许多摄影师选择坚持或回归胶片摄影。对于 Chloe 来说，拍摄胶卷比数码摄影更令人满意。 我一直对摄影很感兴趣，在完成本科学位后我很快意识到不适合我，我自然而然地重新投入摄影并开始更加认真地对待它。一年后，我正在攻读摄影硕士学位，并用 35 毫米胶片拍摄我的很多作品，并拥有越来越多的胶片相机。 在重新爱上摄影并意识到我不仅可以将其作为一种爱好之后，我决定真正学习我的手艺的最佳方式是开始拍摄胶片，我立即爱上了它。我意识到我童年的许多摄影记忆都围绕着我父亲用来拍摄的一台特定的单反相机：佳能 1000f，我现在拥有它。 我的胶片摄影之旅有时很慢，而且很难掌握。我还没有掌握所有的东西，而且我经常犯错误，但这是我喜欢的旅程的一部分，这让我成为一个更好的摄影师。这就是为什么我相信拍摄电影更好。胶片摄影不仅在美学上比数码摄影更令人满意，而且它是一门更难掌握的技艺，需要精准和耐心。它教会了我很多东西，以至于我永远无法通过数码单反相机学到东西。 我最近购买的胶片相机是一份圣诞礼物，是从西约克郡相机公司的优秀员工那里订购的：一台 Praktica Super TL。我还没有从我用那台相机拍摄的照片中冲洗出任何胶卷，但我很肯定我会对结果感到满意。 我通过我的硕士实验的最近项目之一是用胶片拍摄的；一些图片如下： 我称该项目为“负面” ，它主要关注我们当地公园和周围环境的乱扔垃圾问题。它开始是一个偶然的项目，因为我只是渴望出去再次用胶片拍摄，而由此产生的是一个新的副项目。 我喜欢用数码胶片拍摄，因为它迫使我细细品味摄影的体验，而不是匆忙拍摄我正在拍摄的图像。我必须考虑我是如何拍照的以及我要拍什么，因为我将被限制在 24 或 36 次曝光。我鼓励任何考虑从数字转换到模拟的人这样做，因为尽管会产生成本，但您很快就会发现自己更有灵感，也更欣赏摄影艺术，特别是胶片摄影。 如果有人想查看更多我的作品，我有一个网站，您可以在这里找到： www.chloeevelyn.co.uk 我在那里分享我的大部分作品，并且每周写一篇关于我的摄影之旅的博客。 谢谢阅读！ 文字和图像：Chloe Evelyn 您可以访问 Chloe，了解她的更多作品 Instagram和 网站。
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